(Re)configuring Territories Talk
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Feminist Fairytales, Parties and Eating Together as Spatial Practices
–– A Conversation with Maria Muuk and MYCKET
Monday, December 14, 2020, at 16 (EET)
Could fiction and eating dinner together be seen as ways to question the conventional methods of spatial and design practices? Can these careful methods create a more resilient and discursive architecture and design culture?
In the talk, the art & architecture group MYCKET (Mariana Alves Silva, Katarina Bonnevier, and Thérèse Kristiansson), graphic designer/writer/baker Maria Muuk and curator Kaisa Karvinen investigated strategies in each of their practices and dreamed about possible roles of architects and designers in the neighborhoods of current society. The talk started with a short reading.
A recording of the conversation is available here:
https://www.facebook.com/548218410/videos/10158372988713411/
Practices
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Maria Muuk is a graphic designer and writer based in Tallinn, Estonia, whose main research interest is food. By thinking and making through the lens of food, she explores its semiotic, cultural and affective meanings, as well as ways in which food can be used to facilitate change, find commonalities and digest problematics.
Stockholm & Östergötland, founded in 2012 by Mariana Alves Silva, Dr.Katarina Bonnevier and Thérèse Kristiansson. The architecture, art and design practice MYCKET develops artistic research from intersectional perspectives such as anti-racist and queer-feminist theories. A practice informed by the theatrical, the carnivalesque and political activism. Together they rummage through the borderlands of the lives we live, and the environment that surrounds us.
Kaisa Karvinen is a Helsinki-based architect and writer interested in the intersections of performativity, public space and collective unlearning. Kaisa’s practice consists of different forms of constructing and writing, usually in multidisciplinary groups.
Spring School Workshops
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The main aim of this workshop at the Reconfiguring Territories Spring School is very simple: to feed ourselves and the whole group. We will use this necessity as an excuse to explore our own as well as local habits and preferences that start with food and dining but tell a lot about class, cultural backgrounds, feelings of home and political inclinations. Let us carefully scavenge our surroundings for matters to bring to the table: radishes and cucumbers from the supermarket and a local dacha; eggs from a nearby farm; sakuski and toasts; lunch offers; Turkish pizza and Chinese takeout; undervalued grandma pastries from around the corner; overpriced puree soups from the university cafeteria; basement shops and banquet halls; strange jars in cyrillic with surprisingly familiar contents.
Troll perceptions in the Heartlands
– artistic research to widen our imagination capacity
Once upon a time, humans lived in harmony with Earth. Trolls, fairies, and other spirits roamed freely around the villages of Sweden. Then came an era when humans started exploiting nature, pushing Earth to her limit. In the process they shut out all the conversations and relations they used to have with their non-sentients neighbors. Now, there is an acute need for radically different imaginaries of how to live with Earth again. In Troll perceptions in the Heartlands, we turn to folktales and legends to reconnect to that time when people in our regions lived closer to, and were more subordinated to nature.
Other news
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The exhibition ‘НА КОЗЕ НЕ ПОДЪЕДЕШЬ (YOU CAN’T GET THERE ON A GOAT)’ exhibition debuts two site-specific spatial gallery interventions by recent NART Artists-in -Residents Andrea Stanislav (US) and varialambo (Varia Sjöström, Hatz Lambo) (FI/DE). The two solo projects link to transfigure NART’s gallery spaces through a physicality of visual poetics and theatre, informed by dreams, experiences, performances, and unexpected events which took place at NART on the Estonian-Russian border in the Summer of 2022. Both artists reflect upon the sight of Narva as a contextualised charged corridor or ‘Zona’, where language, exile, history, neighbourliness, rapprochement, diplomacy and cyclical memories shift into immersive environments of light, sound, sculpture and moving image.
We are organizing a festival at Narva Art Residency. The festival is called Festival of Invitations, and it consists of lectures, discussions, workshops and a celebratory dinner at the Narva Art Residency and its surroundings. The event also celebrates the opening of an exhibition by varialambo [1] and Andréa Stanislav. This event is the concluding part of four-year (Re)configuring Territories research project, and we hope that it will bring together both those who have participated in the project in the previous years and those who have not yet become familiar with it.
Sean Roy Parker who is in the Kreenholm Plants residency at Nart in June and July wrote a lovely review of the Seeds, Pollen, Future Spring School workshop group’s performance.
We are happy to invite you to the School of the Near Future in Narva Art Residency to conclude (Re)configuring Territories Spring School 2022.
varialambo is currently at the Reconfiguring Territories research residency in Narva. At the beginning of their residency, we discussed Narva’s first impressions, getting to know new places and the plans they have for Narva.
Live-Action Role-playing the City is a weekend-long workshop that explores performative artistic research in the context of urban surroundings. How can cities be approached by means of LARPs? How can LARP exercises be used for questions dealing with the city? What kind of power structures emerge? The workshop will begin on Friday, May 3 at 4p.m. and end on Sunday, June 5 at 3 p.m. 5-8 participants will be admitted to the workshop. Register by May 20.
(Re)configuring Territories research programme continues as a week-long Spring School on June 1(Re)configuring Territories research programme continues as a week-long Spring School on June 13 – 19, 2022. This year’s programme explores the politics of collective imagination in the midst of the socio-political and technological upheavals we currently face. How do the changing perceptions of territorial relationships, the experiences of belonging to a place, the multiple spatial layers of history, and their connection to human and non-human agencies shape abilities to imagine futures? What are the possible roles and structures of educational institutions that could develop the necessary skills and knowledge of political imagination?
(Re)configuring Territories stands for free and open societies, against war and violence. We stand in solidarity with the people of Ukraine.
The war has also changed the context of (Re)configuring Territories project. We are currently reorganizing our resources and this year’s programme.
Action and friendships are now even more important
#StandWithUkraine
#StopRussianAggression
Before the year ends, we – the organisers in Finland and Estonia – gathered to share wishes and hopes for 2022, which will be the final year of the (Re)configuring Territories programme.
Ksenia Kaverina wrote a mid-term reflection on the (Re)configuring Territories programme on art and culture website Arterritory.
A week-long intensive Spring School culminated with a hybrid public event where the participants of the three workshops shared glimpses of their processes and findings.
The starting point for this conversation are the prevailing industrial and economical conditions of the city of Narva and beyond, which TOK curators have been exploring during their residency (Re)configuring Territories in May and June 2021. By discussing a variety of post-industrial contexts and sites, we will integrate the economic, manufacturing and architectural processes of decay of the Ida-Viru region into a wider geographical and conceptual framework.
Creative Association of Curators TOK joined the Narva Art Residency on May 20 – June 18. The introduction talk with the TOK curators Anna Bitkina and Maria Veits was hosted by curator Ksenia Kaverina and the (Re)configuring Territories programme curators Tommi Vasko and Kaisa Karvinen.
(Re)configuring Territories programme continues as a week-long Spring School on May 31 – June 6, 2021. The Spring School consists of three simultaneous workshops mentored by anthropologist Francisco Martínez and urbanist Andra Aaloe, graphic designer, baker and writer Maria Muuk, and architecture, art and design practice MYCKET.
The live action role-play taking place in Narva, eastern Estonia. Because of the ongoing epidemiological situation this year’s LARP participants will be online; facilitated by technologies like geo-located audio AR, instant messaging apps, Zoom and live-stream webcams. The river Narva and its lore will be transported and beamed to you.
Interest in anthropology is growing in situated architecture and design research circles, with fieldwork and community-led design processes becoming an increasingly important part of the critical discourse. What should architects, designers, and artists know from anthropology and its methodology? What can these disciplines learn from each other?
(Re)configuring Territories program curator Tommi Vasko will talk with professor Francisco Martínez and filmmaker and artist Polina Medvedeva about fieldwork and the relationships between artistic research and anthropology.
Could fiction and eating dinner together be seen as ways to question the conventional methods of spatial and design practices? Can these careful methods create a more resilient and discursive architecture and design culture?
In the talk, the art & architecture group MYCKET (Mariana Alves Silva, Katarina Bonnevier, and Thérèse Kristiansson), graphic designer/writer/baker Maria Muuk and curator Kaisa Karvinen investigate strategies in each of their practices and dream about possible roles of architects and designers in the neighborhoods of current society. The talk starts with a short reading. In the talk, the art & architecture group MYCKET (Mariana Alves Silva, Katarina Bonnevier, and Thérèse Kristiansson), graphic designer/writer/baker Maria Muuk and curator Kaisa Karvinen investigate strategies in each of their practices and dream about possible roles of architects and designers in the neighborhoods of current society. The talk starts with a short reading.
The first (Re)configuring Territories talk was a discursive introduction to the research program. How can residencies and gatherings create discussions about borders, territories, and design and architecture cultures? (Re)configuring Territories program curators Kaisa Karvinen and Tommi Vasko will talk with curator and archivist Ksenia Kaverina, program director Karoliina Korpilahti and Narva Art Residency’s director Ann Mirjam Vaikla.
(Re)configuring Territories welcomes applications for a six-week Residency in May–June 2020.
The Residency is meant for practitioners and researchers who share an interest in situated practices and speculative approaches.
Elena Hess-Rheingans who took part in the (Re)configuring Territories Spring School 2019 wrote about Narva, the Spring School and Damiano Cerrone’s MetaNar workshop.
(Re)configuring Territories program’s first instalment is a week-long Spring School in May. The Spring School consists of three simultaneous workshops mentored by designer and theorist Aiwen Yin, urban planner and researcher Damiano Cerrone, and filmmaker and artist Polina Medvedeva. Apply by March 31, 2019!