Переосмысление территорий

Reconfiguring Territories

Territooriumite ümber mõtestamine

Uudelleenmäärittyvät paikallisuudet

This is a subtitle.

Spring School 2019

(Re)configuring Territories Spring School 2019
With Yin Aiwen, Damiano Cerrone, Polina Medvedeva and 15 participants
May 6–12, 2019

The first instalment of the (Re)configuring Territories programme was a week-long Spring School that took place at Narva Art Residency in May 2019. The Spring School was structured around three overlapping workshops, each of which approached Narva as an archive but from a different angle and on a different temporal scale.

What kinds of conflicts and tensions can we find in the material, informational and social sediments of the city? Whose stories are being told, written down and archived? Who are the main protagonists? Whose voices are not being heard?

In the first day of the Spring School we had an introduction to the research programme and a walking tour in Narva. In the evening we s screened the movie: Gerassimovi naised, Women of Gerassimovi” by Birgit Rosenberg.

The next four days were reserved for the Spring School workshops.

In the Theory, History, Poetry Workshop led by Yin Aiwen, five participants walked through history in poetry, ate theory on history, and wrote poetry on theory by wandering, listening, reading, ruminating, conversing and writing together in the city.

In the metaNAR – Narration for Digital Society Workshop led by Damiano Cerrone, five participants used digital means to explore the metamorphology of Narva, process the digital footprint and map the collective landscape of the city.

In the Deconstructed Field Study Workshop led by Polina Medvedeva, five participants interacted with the city and its inhabitants, documenting small stories and local knowledge about Narva’s informal economies and non-conformist communal structures.

On Tursday we also had a field trip to the Kreenholm factory area by from the Narva Art Museum.

On Saturday each of the three workshops presented their findigs as part of the Narva Urban Lab 2019 event that took place in and around the Narva Art Residency.

On Sunday morning we had a moment to reflect the whole Spring School week. We documented and took down the exhibition from the day before and said good byes to each other and to the City of Narva.

Field trip to the Kreenholm factory

Field trip to the Kreenholm factory

Spring School Workshops
→ Весенняя Школа
→ Kevadkool
→ Kevätkoulun työpajat

Theory, History, Poetry

Spring School 2019
→ Весенняя Школа 2019
→ Kevadkool 2019
→ Kevätkoulu 2019

In the Theory, History, Poetry Workshop led by Aiwen Yin, spring school participants walked through history in poetry, ate theory on history, and wrote poetry on theory by wandering, listening, reading, ruminating, conversing and writing together in the city.

In the Narva Urban Lab the group presented an exhibition where the participants shared their textual work as installations and performances.

Spring School Mentors
→ Весенняя Школа
→ Kevadkool
→ Kevätkoulun mentorit

Yin Aiwen

Yin Aiwen
Yin Aiwen is a practicing designer, theorist and project developer, who uses writing, speculative design and time-based art to examine the social impact of planetary communication technologies. She advocates relationship-focused design as a strategy to redesign, re-engineer and reimagine the relationship between technology and society.

MetaNAR

Spring School 2019
→ Весенняя Школа 2019
→ Kevadkool 2019
→ Kevätkoulu 2019

MetaNAR

In the metaNAR – Narration for Digital Society Workshop led by Damiano Cerrone, five participants used digital means to explore the metamorphology of Narva, process the digital footprint and map the collective landscape of the city.

MetaMorphological research explores the speculative form of the city by examining the shape of the urban environment and its cultural landscape, emphasizing the significance of technology and the rules of media platforms for the creation of urban loci. metaNAR was an attempt to apply this framework to the border city of Narva, where we introduced a new, synthetic landscape.

We leveraged GANs and style extraction (neural style transfer without the content loss, in collaboration with Rheza Budiono) to encourage discussion and broaden speculation about the condition and future of a city, about the way in which its complexities might unravel. Through experimenting with these technologies in Narva’s post-industrial landscape, we eventually arrived at a place of hope: that computer vision, large-scale image analysis, and cartography, when coalesced, can be tools for abstracting the shapes and functions of a city, unleashing the collective imagination of groups, giving them the capacity to redefine their own environment.

We are proposing to write an article about the use of new digital media as tools for reconfiguring the imagination of contemporary cities.

Photo of the metanar.com website: The Image of Three Cities Narva, Нарва and Narwa
The Image of Three Cities: Narva, Нарва and Narwa

Spring School Mentors
→ Весенняя Школа
→ Kevadkool
→ Kevätkoulun mentorit

Deconstructed Field Study

Spring School 2019
→ Весенняя Школа 2019
→ Kevadkool 2019
→ Kevätkoulu 2019

In the Deconstructed Field Studies -workshop lead by Polina Medvedeva, participants interacted with the city and its inhabitants documenting small stories and local knowledge about the informal economies and non-conformist communal structures of Narva.

In 2012 Narva’s old town gets a brand new building, standing next to the Town Hall. Freshly inaugurated Narva College, say Kavakava Architects, reflects the former Stock Exchange Building destroyed during the Second World War. Yet for some Narva older residents, the modern architecture comes as a challenge to their representations.

When entering the building shaped with clear wood structures, a sense of utopia invades the thoughts. A new generation is busy going in and out through the glass doors, discussing at the fancy café or leaning over Estonian and Russian books in the cosy library. Somehow, accounts of the former Kreenholm factory’s social life come to mind. Perhaps, the youth has found its new headquarters.

Among these ambitious youngsters, some have crossed the border from neighbouring Russia. The hybrid situation of Narva appears as an unforeseen opportunity for those who aspire to open the door to Europe.

And yet… just like the golden age of Kreenholm don’t include hard work, stress and health problems in the picture… is the European university utopia resisting the reality of Narva’s complexity? How is this new generation of Russian-speakers arriving in Narva going to face Estonia’s conflicted past? How are Estonians going to process the changing structure and ambitions of the Russian-speaking population? How is the identity of Narva going to be transformed?

As the medieval castle stands still on the bank of the undisturbed Narva river, it feels hard to find the clue, and so we wonder… What will be the face of the future Narva?

(Re)configuring Territories Spring School 2019 – Deconstructed Field Studies 1/2
(Re)configuring Territories Spring School 2019 – Deconstructed Field Studies 2/2

Spring School Mentors
→ Весенняя Школа
→ Kevadkool
→ Kevätkoulun mentorit

Polina Medvedeva

Polina Medvedeva
POLINA MEDVEDEVA is a Russian-Dutch filmmaker and artist based in Amsterdam. Her work researches the notion of informality, focusing on informal economies and non-conformist communal structures, their principles of which influence the aesthetics of her videos.

Deconstructed Field Study

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metaNAR – Narration for Digital Society

Theory, History, Poetry

Mirimari xxx’s installation, made during the Theory, History, Poetry Workshop

Valentina Vella’s text Narwhal, made during the Theory, History, Poetry Workshop

Borya XXX’s installation , made during the

Spring School Mentors
→ Весенняя Школа
→ Kevadkool
→ Kevätkoulun mentorit

Yin Aiwen

Yin Aiwen
Yin Aiwen is a practicing designer, theorist and project developer, who uses writing, speculative design and time-based art to examine the social impact of planetary communication technologies. She advocates relationship-focused design as a strategy to redesign, re-engineer and reimagine the relationship between technology and society.

Polina Medvedeva

Polina Medvedeva
POLINA MEDVEDEVA is a Russian-Dutch filmmaker and artist based in Amsterdam. Her work researches the notion of informality, focusing on informal economies and non-conformist communal structures, their principles of which influence the aesthetics of her videos.

(Re)configuring Territories Talks
→ Доклады на (Пере)осмыслении территорий
→ (Re)configuring Territories vestlusring
→ (Re)configuring Territories -keskustelut

(Re)configuring Territories Talk: Anthropology, Fieldwork, and Design Research

(Re)configuring Territories Talk: Anthropology, Fieldwork, and Design Research
Interest in anthropology is growing in situated architecture and design research circles, with fieldwork and community-led design processes becoming an increasingly important part of the critical discourse. What should architects, designers, and artists know from anthropology and its methodology? What can these disciplines learn from each other? (Re)configuring Territories program curator Tommi Vasko will talk with professor Francisco Martínez and filmmaker and artist Polina Medvedeva about fieldwork and the relationships between artistic research and anthropology.